To date (December 2017), a total of five novels have been published in the Millennium Series originated by Swedish author Stieg Larsson. Larsson wrote the first three in a projected series of ten before suddenly passing away at the age of fifty in 2004. The three books were published posthumously beginning in 2005. By March 2015, the series had sold an aggregate of eighty million copies worldwide.
Shortly afterward, by arrangement with Larsson’s publisher, another Swedish author, David Lagercrantz, picked up the baton. At this writing, he has added two books to the series. All five titles feature the unforgettable anti-heroine, Lisbeth Salander, “the girl,” investigative journalist Mikael Blomkvist, and the staff of Millennium, the magazine where Blomkvist works.
The Girl with the Dragon Tattoo (2005)
Here’s Amazon’s take on this novel: “Harriet Vanger, a scion of one of Sweden’s wealthiest families, disappeared over forty years ago. All these years later, her aged uncle continues to seek the truth. He hires Mikael Blomkvist, a crusading journalist recently trapped by a libel conviction, to investigate. He is aided by the pierced and tattooed punk prodigy Lisbeth Salander. Together they tap into a vein of unfathomable iniquity and astonishing corruption.” My recollection of the book from more than a decade in the past is that it lived up to its over-the-top reviews. I loved the novel.
The Girl Who Played with Fire (2006) — Lisbeth Salander stars again in an engrossing murder mystery
You have never met anyone like Lisbeth Salander, the “girl” in the title — guaranteed. Lisbeth is a tattooed, waif-like young woman with a brain of gargantuan proportions, an eidetic memory, an unsurpassed mastery of the Internet, and a mysterious past. In this unlikely but engrossing story of murder and corruption in the dark corners of contemporary Sweden, Lisbeth’s past is revealed in an encounter reminiscent of the games played out in the bowling alley of the gods. Read the full review.
The Girl Who Kicked the Hornet’s Nest (2007) — The captivating third entry in Stieg Larsson’s Millennium series
Salander, one of the most extraordinary characters ever to inhabit the printed page, is one of a large cast that includes the author’s fantasy doppelganger, the journalist Mikael Blomkvist; Mikael’s colleagues at Millennium magazine; Lisbeth’s employer and members of his staff; a hefty number of police officers; a crew of secret agents; assorted prosecutors, social workers, and attorneys; Swedish Cabinet members; and a large group of baddies, including the thugs who hang out in a motorcycle club and two members of Lisbeth’s own family. You might think that such a motley crew of characters could never fit within the confines of a single volume, much less come across as real people. Not so here. Well, maybe not real people. But the novel works. The suspense will raise your blood pressure. In a word, Hornet’s Nest is unputdownable. Read the full review.
The Girl in the Spider’s Web (2015) — More than 10 years after Stieg Larsson’s death, Lisbeth Salander returns!
Lisbeth Salander is Sweden’s answer to Wonder Woman, Stephen Hawking, Kevin Mitnick, and Mike Tyson all rolled into one five-foot, 98-pound package. She can debate the finer points of quantum mechanics and number theory with the world’s top physicists and mathematicians, hack her way into the most secure computer system on the planet, punch out a gang of the meanest, nastiest bikers you can imagine — and she has an evil twin. In other words, Lisbeth Salander is completely unbelievable. Yet this novel, and the three that preceded it, are crafted with such skill that you’ll probably get so caught up in the sheer complexity and suspense of the story that you won’t even think about how unlikely it all is. Read the full review.
The Girl Who Takes an Eye for an Eye (2017) — Stieg Larsson’s “girl” is back: the Millennium series continues
Unfortunately, I was disappointed by The Girl Who Takes an Eye for an Eye. All the earlier entries in the series rushed from action to action in an almost dizzying fashion. In Eye for an Eye, there are too many talky passages. At times, the story becomes tedious, and Stieg Larsson’s girl becomes hard to recognize. If I weren’t so bound to the Millennium series, I might well have put the book down before I reached the halfway point. Read the full review.
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