Sarah Bailey’s excellent Australian thriller, The Dark Lake, explores the power of guilt and the allure of beauty in a suspenseful tale of murder and long-suppressed secrets. “‘Everyone in this town has something to hide,'” as one character observes. The plot revolves...
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Tana French’s first novel in the six-book Dublin Murder Squad series was In the Woods, which won the Edgar, Anthony, Macavity, and Barry awards for best first novel. She followed that bestseller with The Likeness (2008). I read both books shortly after their publication. That was before...
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Fox News commentator Howard Kurtz begins his new book, Media Madness, conceding that “Donald Trump is staking his presidency, as he did his election, on nothing less than destroying the credibility of the news media . . .” And then he proceeds to devote nearly all of the book’s...
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The device of the unreliable narrator has been in use since the earliest days of literature, beginning with the ancient Greeks. Modern authors including Edgar Rice Poe, William Makepeace Thackeray, Agatha Christie, and Vladimir Nabokov have famously used the device for dramatic effect. Much more...
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Her legal name is now Margaret, Lady Compton, but she still calls herself Maisie Dobbs. Having grown up in the London working-class neighborhood of Lambeth, Maisie is uncomfortable with the title. Widowed shortly after her marriage to the wealthy Lord James Compton, she has been abroad. She is...
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Mysteries & Thrillers Tuesday includes my latest mystery and thriller book review,
with links to other science fiction content.
Nonfiction Wednesday includes my latest nonfiction book review,
with links to other nonfiction content.
The Weekly includes summaries and links to all the previous week’s three to five book reviews, including some that don’t appear in any of the other newsletters.
Mysteries & Thrillers Tuesday includes my latest mystery and thriller book review, with links to other science fiction content.
Nonfiction Wednesday includes my latest nonfiction book review, with links to other nonfiction content.
The Weekly includes summaries and links to all the previous week’s three to five book reviews, including some that don’t appear in any of the other newsletters.