Benjamin Black is the pen name of Irish author John Banville, who is widely regarded as a consummate stylist of the English language. He won the Man Booker Prize in 2005 for his fourteenth novel, The Sea. Banville insists that he writes the Quirke series of Dublin crime novels for the money, but it’s difficult to detect any evidence that he doesn’t give those books the same care he lends to his “serious” fiction.
Christine Falls (2006)—Corruption and mayhem in Dublin and Boston in a superior mystery novel
The woman whose name is on the cover of this engrossing tale of murder, betrayal, and corruption on high has arrived in Quirke’s morgue, deemed a suicide by the police. When Quirke comes across his brother-in-law, Malachy Griffin, doctoring the records of the young woman’s death, he develops an irresistible urge to examine the case more closely. Naturally, he finds that the reason for the woman’s death was anything but suicide . . . Read the full review.
The Silver Swan (2007)—A suspenseful novel that will keep you guessing until the end
Like many of the best crime writers, Black focuses on character, atmosphere, and language as much as on plot. The sure hand of a master stylist is very much in evidence in The Silver Swan. You’ll see it in the dialogue, where the individual speech patterns of his characters are distinctive, and in his lyrical descriptions of Dublin in the rain. If you read this book to the end, you might think you’ve gotten to know Quirke, and you may like him. You might also have a sense of Dublin, even if you’ve never been there . . . Read the full review.
Elegy for April (2010)—1950s Dublin: murder and the Church
Elegy for April is the third of Black’s seven novels about the alcoholic pathologist in 1950s Dublin whom we know only as Quirke. These novels explore the tight grip of the Catholic Church on Irish society and the crimes so often committed in her name. Quirke, though he has no official role as an investigator, is drawn into what usually prove to be murder cases by virtue of his family’s involvement . . . Read the full review.
A Death in Summer (2011)—Murder in Dublin, and an unconventional sleuth who solves the case
The “death in summer” that gives this tale its title is the shotgun beheading of a ruthless Dublin businessman who leaves behind a French widow, a sister, and enough enemies to populate an Agatha Christie whodunit. However, despite a plethora of suspects, Quirke and Hackett, his collaborator in the Garda (the Dublin police), focus on those closest to the deceased. As the investigation unfolds, Quirke dives deeply into the complex relations within the victim’s family and becomes romantically involved with the widow . . . Read the full review.
Vengeance (2012)—Benjamin Black’s Quirke series: Is it “serious literature?”
In the Quirke novels, Banville comes to grip with the Irish elite, the underlying tension between Catholic and Protestant, the dead weight of the Church, and the veil of history. Quirke and his police collaborator, Inspector Hackett of the Garda, invariably find themselves caught up in the often violent conflicts roiling Dublin’s elite society. In Vengeance, two families are locked in combat for three generations, one Protestant, one Catholic, as partners in one of the country’s biggest businesses. The mysterious death at sea of one of the partners triggers an investigation by Quirke and Hackett that leads them to uncover long-hidden family secrets . . . Read the full review.
Holy Orders (2013)—From Benjamin Black, a mystery to savor for its gorgeous prose
The sixth of Banville’s novels (writing as Black) about the tortured Dublin pathologist who appears to be named only Quirke is a textbook example of dazzling prose. Any reader looking for nonstop action and sheer excitement won’t find them in Holy Orders. Black is concerned more with character development and scene-setting than with the usual conventions of the mystery genre. The story involves Quirke, his daughter Phebe, and his pal Inspector Hackett of the Garda in a complex plot with Irish “travelers” (called “tinkers” in Ireland) and a passel of very unpleasant priests and their enforcers . . . Read the full review.
Even the Dead (2015)—Dublin’s answer to Sherlock Holmes and Dr. Watson?
Quirke and Detective Inspector Hackett bear not the slightest resemblance to Sherlock Holmes and Dr. Watson. But they have come together once again because a young man thought to have been a suicide has instead, apparently, been murdered. In the 1950s, Ireland is the same poor country it had been for centuries, long before the recent boom that first lifted its economy into the heights of prosperity and then sent it crashing below. In “this mean and mendacious little city,” as Quirke thinks of it, alcohol almost invariably fuels social interactions, and alcoholism is rampant. In this setting, the Catholic Church reigns supreme and untouchable—and yet when Quirke and Hackett deduce that the Church is somewhere in the background of this latest murder, they don’t hesitate to take it on, all-powerful or not . . . Read the full review.
I have also reviewed two other John Banville books published under his pseudonym, Benjamin Black:
- The Black-Eyed Blonde, resurrecting Raymond Chandler’s iconic sleuth, Philip Marlowe (Benjamin Black brings back Philip Marlowe); and
- The Lemur, set in contemporary New York City and Dublin (A murder mystery from a master stylist).