The Testaments is the Handmaid's Tale sequel.

Sometimes a screen adaptation veers far from the trajectory of the novel on which it’s based. That’s not the case with Margaret Atwood‘s Handmaid’s Tale sequel, The Testaments. Instead, Atwood takes up the story of the women of Gilead following events seen on the screen. She had consulted closely with the producers of the streaming version, and it shows. And although June, the Handmaid herself, makes only a cameo appearance late in the novel, and others narrate the story, The Testaments is all about June and her daughters. While it’s not necessary to view the Tale on Hulu before reading The Testaments, you’ll probably need to read the Handmaid’s Tale first to fully appreciate the story.

Three women tell the tale in The Testaments. One is the dreaded Aunt Lydia, who is now identified as a founder and the leader of Gilead’s Aunts. She is the central character in this sequel, and we gain a very different perspective on her. The other two narrators are both young women—children at first, really—who are cleverly identified as Witness 369A and Witness 369B. Through the interlocking experiences of these three women, Atwood explores the depths of corruption in Gilead and helps illuminate how it came into being.

The Testaments by Margaret Atwood (2019) 381 pages @@@@@ (5 out of 5)

Winner of the Booker Prize

Corruption is the principal theme in the Handmaid Tale‘s sequel

Corruption is, in fact, the overarching theme in The Testaments. It’s a reality in every society, although much more so in some than in others. However, corruption reaches its full flowering in an authoritarian society. In Atwood’s Republic of Gilead, corruption is a natural consequence of the power given to men over women’s bodies. It’s an eloquent cautionary tale about what the future might bring if today’s American religious zealots gain the power they seek over the US government.

For further reading

Two years ago I reviewed Atwood’s The Handmaid’s Tale. My review is at Reading “The Handmaid’s Tale” in the Age of Trump. I’ve also reviewed her Maddaddam Trilogy:

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