Cover image of "Two Nights in Lisbon," a kidnapping thriller

Ariel Pryce awakens to a sunny day in Lisbon only to find her new husband, John Wright, missing. After hours waiting for him to turn up, it’s clear something’s amiss. There’s no message, and no sign of him whatsoever. Fearing he’s fallen victim to an accident or been kidnapped, she turns to the American embassy. There, an unsympathetic consular official insists it’s much too early to worry. And when she approaches the Lisbon police, she encounters the same lack of interest. But on her own Ariel turns up evidence that John had walked out of the hotel early that morning and immediately been hustled into a passing car. And that consular official turns out to be more intrigued than he’d seemed. He reports the encounter to Nicole Griffiths, the CIA Chief of Station. Thus begins another of Chris Pavone’s compulsively readable thrillers, Two Nights in Lisbon.

The plot thickens, again, and again, and again

Most of the action in the novel takes place over the eponymous two nights (and days) in Lisbon. Hour after hour, we follow the story from Ariel’s perspective, interspersed with flashbacks to her life long ago and to her affair and marriage to John. Meanwhile, we witness the steps both the CIA and the Lisbon police are taking. Because, yes, both are in fact taking the case very seriously. Especially after they learn that both she and John had changed their names years earlier. Then Ariel receives a ransom demand for three million euros neither she nor John could possibly pay. Soon, Ariel turns for the money to a wealthy and powerful former business associate of John’s. Which launches us into dangerous, unknown territory.


Two Nights in Lisbon by Chris Pavone (2022) 450 pages ★★★★★


Photo of a tram descending a Lisbon street like the streets in this kidnapping thriller
A tram descends one of Lisbon’s many hills through this traditional Portuguese neighborhood. Image: Ciivitatis Lisbon

A convoluted story and an unpredictable conclusion

Two Nights in Lisbon is, above all, a twisty thriller. it’s a crime novel, but the CIA and Washington politics become deeply involved as well. And the whole convoluted story comes to an astonishing conclusion.

Ariel’s flashbacks are central. We learn about her trauma from years earlier involving a powerful, abusive man. And they show how that experience shaped the person Ariel has become—wary, resourceful, and willing to take drastic action to protect herself. It becomes clear that Ariel is far more capable and purposeful than the shell-shocked, grieving wife she initially appears to be. And the novel ultimately becomes as much a reckoning with abuses of power and the ways institutions fail women who report them, as it is a kidnapping thriller.

About the author

Photo of Chris Pavone, author of this kidnapping thriller
Chris Pavone. Image: Wikipedia

Chris Pavone has written six novels to date. Four of the others are spy stories. One is a more traditional, home-bound thriller (The Doorman). Pavone is a graduate of Cornell University and worked for decades as an editor at several publishing houses before 2012, when his first novel saw print. Pavone has won both the Edgar and Anthony Awards. He lives in New York City with his wife and his two children.

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